Indigenous Connections & Collections – Indigenous Music

Though recognizable ‘Native’ musical elements and instruments might be used in the composition of music, “there is no such thing as ‘Native music.” (NewMusicBox) Joy Harjo (Muscogee [Creek] Nation) states that her music was dismissed as not Native enough because there was no flute or powwow drums. That stereotypes extends to how a performer dresses. Flutist R. Carlos Nakai (Diné/Ute) states, “When I appear on stage in a tux with a small bit of Native regalia, [the reaction is], ‘Don’t you respect your culture?’ I have to pack my suitcase very carefully.” (NewMusicBox)

There are Native musicians, singers, and composers in every genre making music through instruments and (natural) sounds of all types. What makes a composition ‘Native’? Certainly the person who composes and performs the music for one’s identity – shaped by their community’s values, cultural perspective and tradition – is part of the creation. These compositions, no matter the genre, blend Native elements and instruments into compositions. Here are some Native American composers and musicians.


2022 Pulitzer Prize for Music


On May 9, Raven Chacon (Diné) became the first Native American composer to be awarded the Pulitzer Prize in Music for his composition titled, “Voiceless Mass.”

Raven is a composer, performer, and (sound) installation artist. Installation art centers on three-dimensional works, often site-specific, that are designed to transform the perception of space. Installation art is more often applied to interior spaces though it overlaps with exterior spaces such as public art and land art.

Listen to Voiceless Mass

Composed specifically for the Nichols & Simpson pipe organ at the Cathedral of St. John the Evangelist in Milwaukee, “Voiceless Mass” debuted at the Present Music annual Thanksgiving concert on November 21, 2021. Though ‘mass’ is part of the title, it is not a choral composition. The 16-minute piece includes an ensemble of winds, strings, and percussion. The unique composition combines instruments and sounds in a way that fills the space through an arrangement not typically heard in churches.

This work considers the space in which we gather, the history of access of these spaces, and the land upon which these buildings sit. In exploiting the architecture of the cathedral, ‘Voiceless Mass’ considers the futility of giving voice to the voiceless, when ceding space is never an option for those in power.

Watch “What Gets Amplified


“for colored girls…”


for colored girls who have considered suicide/when the rainbow is enuff” by poet and playwright Ntozake Shange premiered in 1976. Ntozake made history as only the second Black woman to have a play produced on Broadway. It is a choreopoem – poetic monologues accompanied by dance movements and music – with several nominations and awards, including an Obie Award. The play is composed of 21 poems that tells the stories of seven Black women who suffer oppression in a racist and sexist society.

In the latest reimagined revival of “for colored girls…” at the Booth Theatre (New York City), the show features original music composed, arranged, and orchestrated by Martha Redbone (Choctaw/African American) and collaborator/husband, Aaron Whitby.

Martha is an award-winning vocalist, songwriter, composer, and educator. Her music is a blend of R&B, folk, blues, gospel, and Native. Through songs and storytelling, she shares her life experiences as a Native and Black woman.

Watch Martha Redbone Live


Books & Websites


Gertrude Simmons, also known as Zitkala-Ša (Yankton Dakota Sioux), which means Red Bird was born in 1876 in South Dakota. Zitkala-Ša willingly left her home at age eight to go to a boarding school in Indiana.
At school she missed her mother and her traditional life, but Zitkala-Ša found joy in music classes. Her talent grew, and when she graduated, she became a music teacher, composer, and performer.

The coauthors tell Zitkala-Ša’s life by weaving together pieces from her own stories. The artist’s acrylic illustrations and collages of photos and primary source documents round out the vivid portrait of Zitkala-Ša, a frightened child whose spirit “would rise again, stronger and wiser for the wounds it had suffered.”

Canadian guitarist and songwriter Robbie Robertson (Mohawk) is known mainly for his central role in the musical group the Band. But how did he become one of Rolling Stone’s top 100 guitarists of all time? Written by his son, Sebastian, this is the story of a rock-and-roll legend’s journey through music, beginning when he was taught to play guitar at nine years old on a Native American reservation. Rock and Roll Highway is the story of a young person’s passion, drive, and determination to follow his dream.

8 Native American Composers to Add to Your Playlist

Videos of compositions from eight Native American composers.

From CPR Classical, more Indigenous musicians in classical music:

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References

AFRO. (2022, June 1). Revival of ‘for colored girls…’ saved from chopping block, extends run on Broadway. The AFRO. https://afro.com/revival-of-for-colored-girls-saved-from-chopping-block-extends-run-on-broadway/

Contreras, F. (2009, January 1). American Indian composers go classical. NPR. https://www.npr.org/templates/story/story.php?storyId=98884176

Gillespie, F. E. (n.d.). Composers Martha Redbone and Aaron Whitby set “for colored girls” to music. Our Time Press. https://ourtimepress.com/composers-martha-redbone-and-aaron-whitby-set-for-colored-girls-to-music/

Krisst, R. (2022, May 29). ‘You go all in’: Diné composer from Chinle wins Pulitzer for music. Navajo Times. https://nativenewsonline.net/arts-entertainment/you-go-all-in-dine-composer-from-chinle-wins-pulitzer-for-music

Rosenberg, D. (2008, March 18). Cleveland label releases its first CD of classical music by an American Indian composer. Cleveland.com. https://www.cleveland.com/arts/2008/03/cleveland_label_releases_its_f.html

Schulman, S. H. (n.d.). Indigenous A&E: Broadway, language, ‘Indian Land’ artist. Indian Country Today. https://indiancountrytoday.com/news/indigenous-a-e-broadway-language-indian-land-artist

Wein, G. (2009, April 8). Native American Composers. New Music USA. https://nmbx.newmusicusa.org/Native-American-Composers/

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*The term Indigenous is used broadly to include those labeled Native American, American Indian, Alaska Native, Hawaiian, First Nations, Aboriginal, and others such as the Sami (Finland) and Ainu (Japan). Native American and American Indian are used generally and interchangeably in this blog.

About the Author

Jonna Paden

Jonna C. Paden, Librarian and Archivist, is a tribally enrolled member of Acoma Pueblo. Part of the Circle of Learning cohort, she holds a Masters in Library and Information Science from San José State University where she focused on the career pathway of Archives and Records Management. She is also the Archivist for the New Mexico Library Association (NMLA) and current Chair (2020-2022) for the New Mexico Library Association (NMLA) Native American Libraries – Special Interest Group (NALSIG).

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INDIGENOUS CONNECTIONS AND COLLECTIONS LIBRARY BLOG – GENEALOGY

This blog aspires to connect readers to Indigenous* resources, information, and fun stuff at the Indian Pueblo Cultural Center (IPCC) and online. Each month, new content will be shared on various themes.

May 4, 2022

From the morals and values we are taught, to the support and encouragement that is shared, family is the foundation of who we are. The choices that one’s ancestors made – marriage, travel, occupation, and so on – resulted in the lives they led, which in turn shaped the lives of their descendants – children, grandchildren, and so on. Understanding his- and her-story helps us to understand who we are and where we come from.

Genealogy is the study and tracing of lines of ancestral descent. This is done by finding vital information about parents, grandparents, great-grandparents – as far back as possible. Using these facts to trace back family members, one will see how geographical and historical time periods shaped their family history.

So where and how do you start? Work from the known to the unknown. First, start collecting names and as much vital information as you can about immediate (parents and grandparents) and distant (aunts, uncles, and cousins) family members: full and maiden names, birth dates and places, marriage dates and places, divorce dates, and so on. Enter that information on a family chart:

Don’t forget to talk to family members to learn what they know or what info they have such as wedding and anniversary announcements, newspaper clippings, or Bible records. But remember, family stories are not always accurate.

Don’t have family information? Read on to learn where to find it.


Genealogy Websites


Popular websites to find genealogy information are Ancestry, MyHeritage, and Fold3. However, these sites require a paid subscription to view in-depth records. Many public libraries have Library Editions of the above sites and provide free access to library card holders, as well as resource listings, guides, and classes. If you are new to genealogy, look for websites that offer guides to using the site to understand how to search and interpret what you find.


Seven Free Resources


  1. Internet Archive, home of the Wayback Machine – Find old versions of websites and digitized materials. Such as Yearbooks, City Directories, County and Family Histories, Government agency annual reports.
  2. State Archive, State Library, and State Historical Society – Find photograph collections, digital copies of original records, and military and vital records (birth, death, marriage, and divorce certificates).
  3. State & Local Genealogy Societies – Have local and regional expertise, research guides, and records.
  4. Digital Public Library of America – Comprised of 1000s of libraries, archives, and museums across the United States with links to more than 44 million digital items (photographs, maps, audio and video files).
  5. Linkpendium – Curated list of more than ten million genealogy links and historical websites across the United States and United Kingdom, and family and surname websites.
  6. WorldCat – Searches the catalogs of OCLC member libraries; search by subject and location.
  7. FamilySearch Research Wiki – Links to websites and collections around the world. 

Important tips:

  • Do not use the same websites to search records. Expand your search. Different records will give you different types of information.
  • Search by subject and location (schools, churches, fraternal organizations, etc.).
  • When you find family trees done by other researchers that show your ancestors, check that the facts are correct (name, spelling, birthdate, etc.) and that it is your ancestor.

From YouTube video: Free Genealogy Websites You’re Overlooking, Genealogy with Amy Johnson Crow


New Mexico State Library


The New Mexico State Library has digital, print, and microfilm resources which include the databases Ancestry (Library Edition), Fold3 (Library Edition), genealogical society periodicals, church, and census records, Daughters of the American Revolution (DAR) indexes, digital Sanborn Maps for New Mexico, books, extractions and select Nation Archives record sets on microfilm.

Also shown is a listing of Genealogy collections and services at libraries around New Mexico

Native American Genealogy Resources – Southwest Tribes

Books available at the New Mexico State Library and other libraries throughout the state including guides, and info on rolls, records, and Native American DNA.


Albuquerque Genealogical Society


The Mission Statement of the New Mexico Genealogical Society (NMGS) is to promote, develop, and encourage genealogical research, to preserve and perpetuate the records of ancestry and publish records, and to make genealogical and historical information available to all through publications, meetings, and workshops.

The NMGS website offers E-Research Resources of Family and Church Records, Marriage and Prenuptial Investigations, Wills and Land Grants, Burial and Death Records, and Maps, Online Collections and New Mexico History. Also, videos on various topics and institutions.


Albuquerque Genealogical Society


The Albuquerque Genealogical Society helps to educate on how to research family history. Twice a month, the society hosts free one-on-one help sessions for members and the general public. At least once a month, there are webinars on Genealogy, DNA and Family History. There are also groups dedicated to specific interests such as Military and Celtic research.

Resource links to Online Genealogy sites, for researchers with New Mexico family history, and to Genealogy Blogs.


Albuquerque Public Library


The Genealogy Center is on the second floor of the Main Library in downtown Albuquerque.

The Genealogy Center has:

  • a non-circulating collection of over 20,000 titles and 36,000 volumes organized by country, state, and county
  • a computer lab dedicated to genealogy research with free access to online databases
  • a microfilm collection with microfilm and microfiche machines
  • staff and volunteers ready to help

If you are from out of town, please contact in advance so someone will be available for assistance.

Some databases are only accessible at the Main Library and others from anywhere with an Albuquerque Public Library Card.


National Archives


The National Archives holds Federal documents related to American Indians and can include information about tribal members, federal officials, Indian agents, military personnel, teachers, nurses, and laborers. Digitized records include: Indian Census Rolls, Dawes Records, and Guion Miller Rolls and digitized records available from partners.

Guides and General Information for accessing Census, Bureau of Indian Affairs (BIA), School, Employment, and Military Service Records.


National Archives


This page will help you trace your American Indian or Alaska Native ancestry and provide you with information about tribal services, tribal contacts, and genealogical research. Some frequently asked and common ancestral search questions will also be answered within this page. PDF: A Guide to Tracing American Indian & Alaska Native Ancestry


*The term Indigenous is used broadly to include those labeled Native American, American Indian, Alaska Native, Hawaiian, First Nations, Aboriginal, and others such as the Sami (Finland) and Ainu (Japan). Native American and American Indian are used generally and interchangeably in this blog.


Jonna Paden

About the AuthorJonna C. Paden, Librarian and Archivist, is a tribally enrolled member of Acoma Pueblo. Part of the Circle of Learning cohort, she holds a Masters in Library and Information Science from San José State University where she focused on the career pathway of Archives and Records Management. She is also the Archivist for the New Mexico Library Association (NMLA) and current

NEW MEXICO’S NATIVE LIBRARIES

This blog aspires to connect readers to Indigenous* resources, information, and fun stuff at the Indian Pueblo Cultural Center (IPCC) and online. Each month, new content will be shared on various themes.

April 2, 2022

April 3rd through the 9th is National Library Week! The American Library Association (ALA) chose Emmy-nominated actress, comedian and Saturday Night Live cast member, Molly Shannon, (whose mother is a librarian) to be the Honorary Chair. Across the world, libraries connect people to more than just books and the Internet. In New Mexico, tribal libraries are a strong presence in their communities with 18 Pueblo and 2 Apache libraries, and one Navajo Chapter House – with a 19th Pueblo library coming soon!

The Indian Pueblo Cultural Center (IPCC) Library and Archives is a small Special Collections library. Materials are centered on Pueblo history, subjects, and peoples, but also span the range of Southwest tribal nations. There is also a small selection of books on Indigenous peoples from across North America and the globe.

The library receives many inquiries on specific Pueblos topics, as well as requests for photographs. In addition to content created by various staff at the IPCC, here are several places that hold Pueblo research resources in Albuquerque and Santa Fe. Please note policies and permissions for how to access collections.


Indian Pueblo Cultural Center


Counter Narrative Logo

Offering an Indigenous perspective, the Counter-Narrative is a monthly lecture and panel discussion series on a variety of topics, including history, culture, and current events.

Recording and Research Guides are available at UNM LibGuides for Genes R’Us, Zia Sun Symbol, Manifest Larceny, and Sowing the Sacred.

Tour Tuesdays

Learn about various exhibits and topics presented by Education, Museum, and Library staff, such as the Summer Solstice, Oral Storytelling Traditions, Pueblo Code Talkers, and Sovereignty. Also, learn about the indoor and outdoor murals created by various Pueblo artists.

View Into the Collection

From the Curator of Collections, Amy Johnson (Isleta Pueblo), hosts View Into the Collection, a look at the items and creators of the IPCC Permanent Collection, which has more than 4,000 items primarily from the 19 New Mexico Pueblos. The collection consists of pottery, jewelry, textiles, baskets, regalia, paintings, prints, and a small collection of archaeological material.


Museum of Contemporary Native Art


The Institute of American Indian Arts (IAIA) Research Center for Contemporary Native Arts (RCCNA) consists of the Museum of Contemporary Native Arts (MOCNA) and Archives.

The MOCNA holds nearly 9,000 pieces of artwork from Native American, First Nations, and other Indigenous peoples. This unique collection, known as the “National Collection of Contemporary Native American Art,” documents the art movements of the IAIA and its impact on the Native American fine art movement. The collection is comprised of paintings, works on paper, sculpture, ceramics, jewelry, photography, contemporary apparel, textiles, cultural arts, new media, and installations. Many prominent Native artists are represented in this collection. Research & Visit Request


Native Health Database


In search of information for health-related topics on American Indians, Alaska Natives, and Canadian First Nations? The Native Health Database holds a range of articles, reports, studies, and legislation on programs and other initiatives pertaining to the health of American Indians, Alaska Natives, and Canadian First Nations. Topics range from Tribal Actions to Plants, Demographics to Government, and from Indian Health Service Headquarters to Area Offices, to name a few. Though not all content is available online, requests can be made to [email protected] for access.


New Mexico History Museum


The Palace of the Governors Photo Archives at the New Mexico History Museum holds a range of photographic materials of local, regional, and international significance, dating from approximately 1845 to the present. The archive specializes in the histories and cultures of the people of New Mexico and the Southwest. Nearly 30,000 images have been digitized, which includes various Pueblo people and locations.

Sample:

Please contact the NMHM with questions about photo holdings, research, and image reproduction


UNM Center for Southwest Research & Special Collections


Located on the University of New Mexico campus, the Center for Southwest Research and Collections (CSWR) specializes in historical manuscripts, books, photographs, architectural drawings, recordings, and other library materials related to New Mexico, the Southwestern U.S., and Latin America.

The CSWR on the New Mexico Digital Collections website provides a listing of collections, which can be accessed at the UNM Library, including:

Interviews from the “Doris Duke Project” (1967-1972) document oral traditions and recollections of Native Americans in New Mexico and Arizona. The bulk of the collection consists of interviews with Pueblo and Navajo Indians talking about personal and family histories, including social culture, education, legends, language, government, and history.

Contains correspondence and documents relating to Indian Affairs in New Mexico during the Territorial Period. Most of the materials either originated in Santa Fe or were sent to Santa Fe from Pueblos, including Laguna, Cochiti, Isleta, Zia, Santa Ana, Sandia, San Felipe, Name Jemez, Pojoaque, San Ildefonso, Santa Clara, Santo Domingo, and Taos. Thematically, the collection centers on land issues.

A collection of photographs taken by Lee Marmon (Laguna Pueblo), including Laguna and Acoma Pueblo, and tribal elders and community members.


*The term Indigenous is used broadly to include those labeled Native American, American Indian, Alaska Native, Hawaiian, First Nations, Aboriginal, and others such as the Sami (Finland) and Ainu (Japan). Native American and American Indian are used interchangeably in this blog.


About the Author

Jonna C. Paden, Librarian and Archivist, is a tribally enrolled member of Acoma Pueblo. Part of the Circle of Learning cohort, she holds a Masters in Library and Information Science from San José State University where she focused on the career pathway of Archives and Records Management. She is also the Archivist for the New Mexico Library Association (NMLA) and current Chair (2020-2022) for the New Mexico Library Association (NMLA) Native American Libraries – Special Interest Group (NALSIG).

NATIONAL WOMEN’S HISTORY MONTH

This blog aspires to connect readers to Indigenous* resources, information, and fun stuff at the Indian Pueblo Cultural Center (IPCC) and online. Each month, new content will be shared on various themes.

March 5, 2022

The third month of the Gregorian year, March, welcomes the Spring Equinox on Sunday, the 20th. Equinox comes from Latin words aequus meaning “equal” or “even” and nox, meaning “night.” On this day, the sun passes over the equator making day and night an approximate equal length of time.

In the Northern Hemisphere, spring arrives and with it longer daylight hours and warmer temperatures. Cultures celebrate the Spring Equinox as a rebirth for vegetation begins to grow and animals come out of hibernation giving the Earth a sense of renewal. Given that Earth is called Mother―because she nurtures and cares for us, which we should do in return―it is appropriate, then, in the month of March, to celebrate the accomplishments of women to history and for the nurturing and caring they do for their communities.


NATIONAL WOMEN’S HISTORY MONTH


2022 Theme:

#WHM22        #WomensHistoryMonth

To address the lack of women’s history in K-12 curriculum, the Education Task Force of the Sonoma County (California) Commission on the Status of Women started a “Women’s History Week” in 1978. The week of March 8 (International Women’s Day) was chosen for the observance.

In 1980, President Carter issued the first Presidential Proclamation declaring the week of March 8th as National Women’s History Week. By 1986, 14 states had declared March as Women’s History Month. The next year, Congress was lobbied to declare the entire month of March as Women’s History Month and it did, in perpetuity. Here is President Biden’s Proclamation.


PUEBLO WOMEN


Often overlooked in the American narrative, thousands of American Indian and Alaska Native women have contributed to history―and continue to do so daily―at the national, city, local, and community level. For some, it is based on the collective and Indigenous ancestral knowledge they hold in their community. For others, their work is an extension of their obligation as caretaker.

In honor of National Women’s History Month, the ICC library blog highlights the work of several Pueblo women interviewed as part of the “Journeys & Pathways: Contemporary Pueblo Women in Leadership, Service, and the Arts” Oral History Project. Each of these women work for the betterment of their Pueblo communities and Indigenous people as a whole. Mentorship is one theme and encourage others to reach their potential.

Top row: Phoebe Suina (Cochiti), Paulita Aguilar (Kewa), Connie Gaussoin (Picuris), Pam Mahooty (Zuni)
Middle Row: Alissa Chavez Lowe (San Felipe), Dr. Corrine Sanchez (San Ildefonso), Tara Gatewood (Isleta), Norma Naranjo (Ohkay Owingeh), Jonna Paden (Acoma), Stephine Poston (Sandia)
Bottom row: Melonie Matthews (Santa Clara), Dr. Shelly Valdez (Laguna), Tazbah Gaussoin (Picuris), Theresa Pasqual (Acoma), Jenni Monet (Laguna), Christine Zuni-Cruz (Isleta), Dr. Debbie Reese (Nambé)
Not pictured: Cordelia Hooee (Zuni), Marnella Kucate-Yepa (Zuni), and Valerie Fernando (Laguna)

Tara Gatewood (Isleta Pueblo/Diné), former host of Native America Calling, is now the Program Director at the International Women’s Media Foundation and heading up an initiative to bring attention to violence against Indigenous women across the U.S. and to the issue of Missing and Murdered Indigenous Women and Girls (MMIWG).

Jenni Monet (Laguna Pueblo), award-winning investigative journalist on Indigenous Affairs and Indigenous rights and injustice in the U.S. and around the world. Read her articles here. Sign up for her newsletter, Indigenously: Decolonizing Your Newsfeed.

Representation matters. Founded in May 2006 by Dr. Debbie Reese (Nambé Owingeh), the American Indians in Children’s Literature (AICL) blog educates readers about Native peoples and provides critical analysis of children’s books, lesson plans, films, and topics related to American Indians and/or how lessons about Native people are taught in school. On YouTube: Native Voices in Children’s Literature (Sept 2021).

Phoebe Suina (Cochiti and San Felipe Pueblos), founder and owner of High Water Mark (HWM), LLC, a 100% Native American, woman owned environmental consulting company. Utilizing a consensus-based approach, she works to address infrastructure projects and initiatives that incorporates traditional and local knowledge with science-based planning, engineering, and project management solutions. Combining tradition with since, she has successfully managed multi-million-dollar infrastructure projects and initiatives for Los Alamos National Laboratory, Pueblo communities, and New Mexico cities and towns.

See the March 2020 blog which highlights several Indigenous women: Deb Haaland (Laguna Pueblo–U.S. Secretary of the Interior), Merata Mita (Māori: Ngāti Pikiao/Ngāi Te Rangi–New Zealand teacher, film director and producer, and activist), and Buffy Sainte-Marie (Cree singer-songwriter, guitarist, educator, artist, and advocate).


INDIGENOUS WISDOM CURRICULUM


Drawn on six Pueblo core values―Love, Respect, Compassion, Faith, Balance, and Service―lessons in the Indigenous Wisdom Curriculum were created by various Pueblo women and men educators including: Azella Humetewa (Kewa/Acoma Pueblo), Dr. Glenabah Martinez (Taos/Diné), Dr. Natalie Martinez (Laguna Pueblo), and Dr. Christine Sims (Acoma Pueblo).

The Indigenous Wisdom Curriculum provides a counternarrative―a Pueblo perspective with Pueblo-centered cultural knowledge―of the complex political, social, cultural, and economic history. The goal of the curriculum is for Indigenous students and their teachers to become intellectually aware of the critical roles Pueblo people have exercised when faced with the challenges of federal and state policies.

“The effect of a counter-narrative is to empower and give agency to those communities. By choosing their own words and telling their own stories, members of marginalized communities provide alternative points of view, helping to create complex narratives truly presenting their realities.” ~ Raúl Alberto Mora

Push Back! Why Counter Narratives are Critical in Challenging Times


WEBINARS


WOMEN’S History Month

2022 Virtual events and Roundtable Discussions

March 2 – Women of the 117th Congress: Diverse Voices

March 3 – Women’s Directors Roundtable at the 2022 Mother Tongue Film Festival

March 8 – Female Genius: Eliza Harriot and George Washington at the Dawn of the Constitution

March 11, 16 and 21 – Her Story: How Women and Girls Transformed the World!

March 30 – Justice Ruth Bader Ginsburg “Great Americans” Medal Posthumous Presentation

The National Museum of the American Indian offers a range of resources about and from Native American Women and Native Knowledge 360° Recorded Webinars including sessions from the Teacher Workshop Series – Indigenous Women: Artists and Activists.

References

National Women’s History Alliance. (n.d.). Why March is National Women’s History Month. https://nationalwomenshistoryalliance.org/womens-history-month/womens-history-month-history/

Mora, R. M. (2014) Counter-Narrative. Center for Intercultural Design: Key Concepts in Intercultural Dialogue, No. 36. https://centerforinterculturaldialogue.org/2014/10/13/key-concept-36-counter-narrative-by-raul-a-mora/

*The term Indigenous is used broadly to include those labeled Native American, American Indian, Alaska Native, Hawaiian, First Nations, Aboriginal, and others such as the Sami (Finland) and Ainu (Japan). Native American and American Indian are used interchangeably in this blog.


About the Author

Jonna C. Paden, Librarian and Archivist, is a tribally enrolled member of Acoma Pueblo. As part of the Circle of Learning cohort, she holds a Masters in Library and Information Science from San José State University where she focused on the career pathway of Archives and Records Management. She is also the archivist for the New Mexico Library Association (NMLA) and current Chair (2020-2022) for the New Mexico Library Association (NMLA) Native American Libraries – Special Interest Group (NALSIG).

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The Sámi

This blog aspires to connect readers to Indigenous* resources, information, and fun stuff at the Indian Pueblo Cultural Center (IPCC) and online. Each month, new content will be shared on various themes.

February 4, 2022

February 6th is Sámi National Day. Lihkku beivviin! Lahkoe biejjine! Vuorbbe biejvijn! Happy birthday!

Sámi National Day is celebrated in memory of the first Sámi national meeting that took place in Trondheim on February 6, 1917, the first gathering of Sámi from across Sápmi – traditional Sámi territory – to collaborate on common issues across imposed national borders. Sámi National Day was adopted at the 1992 Sámi conference and was celebrated for the first time the following year.

VIDEO: Sámi Álbmotbeaivi – Samenes National Day 2021 with English subtitles

  • Discussion of the cardigan, which identifies where you are from and respect of its cultural meaning.
  • Introduction to the ládjogahpir, or hornlue, a traditional Sámi woman’s hat.
  • Conversation with brothers, Halvard and Hogne Rundberg, from the band Violet Road with a performance of the song, “A New Day Begins.”
  • Conversation with Aili Keskitalo (Sámi – President of Sámi Parliament) and Rune Fjellheim (Sámi – Sámi Parliamentary Director), including the Alta River protest against construction of a hydroelectric power plant that planned to flood the village of Masi (Norway).
  • Conversation with Agnete Saba (Sámi) singer and songwriter.
  • Sami People’s Song performed by Agnete Saba and Halvard Rundberg.

Sunday, February 6th, the 2022 Sámi Álbmotbeaivi will post.

The Sámi

Foto:

The Sámi Parliament Act (1992) states that a Sámi is someone who considers themselves Sámi and that the Sámi language must be or have been the language in your home, your parent’s, or grandparent’s home. Also, if your parent is included on the electoral register. Before the Sámi Parliament Act, only those who had reindeer and did reindeer herding were considered Sámi, which excluded large numbers of people. (Samer) Language is now the primary identifier.

There are nine living languages, which are divided into two groups based on geographic, historic and linguistic relatedness. Eastern Sámi includes Inari, Kildin, Skolt, and Ter. Western Sámi is Lule, North, Pite, and South. Northern Sámi is the most dominant with about 25,000 speakers. The Sea Sámi are thought to have had an independent language. Over the centuries, the Sea Sámi adopted other dialects. Only a few living elders that can speak Sea Sámi. Akkala Sámi was spoken in Russia, but perished with the last speaker in 2003.

There is no official census of Sámi people. The estimated number is between 50,000 and 100,000. The Sámi homelands, Sápmi, stretch across Norway, Sweden, Finland, and northwestern Russia. A large part of northwestern Sweden is the traditional territory of the Sámi. Reindeer herders, small farmers, hunters, fishermen, and gatherers traditionally use these lands.

The Sámi are represented by three Sámi parliaments – one in Norway, Sweden, and Finland. In Russia, they are organized into Non-Government Organizations (NGO). In 2000, the three Sámi parliaments established a council of representatives, the Sámi Parliamentary Council.

Norway’s Sámi Parliament 2017-2021

Clothing

Traditional dress is called gákti (Northern Sámi). Gákti identifies which Sápmi area a person is from. The cut of clothing differs between men and women. Women’s gákti are longer, as is gákti from the southern Sápmi area. Some gákti indicate one’s age and status – married or single.

Olmmáivággi is located in Troms og Finnmark county,
Sor-Varanger in Troms of Finnmark county, west of the Norway-Russian border

Clothes and shoes were made from reindeer and other furred animals, and included the use of skin and tendons. Broadcloth and wool were bought from tradesmen. Today, silk, velvet, and synthetic fabrics have been added. Traditional accessories include belts, shoes, shoelaces, storm collars, jewelry, gloves, trousers, and caps, and for women, shawls.

Risku is a brooch typically worn on special occasions. In a traditional Sámi wedding, a bride might wear several. Risku are often passed down in the family or given as christening or confirmation gifts.

The current circular design of risku evolved from oval brooches crafted from reindeer horn, which was often carved with symbols that represented the sun. Though unknown when silver was first traded for reindeer meat and hides, it became a symbol of prosperity and a form of currency.

Dressing with Purpose – Belonging and Resistance in Scandinavia at the Museum of International Folk Art in Santa Fe features three dress traditions: Swedish folkdrākt, Norwegian bunad, and Sámi gákti. In this exhibition, visitors are introduced to individuals who adapt and revitalize dress traditions to articulate who they are, proclaim personal values and group allegiances, strive for sartorial excellence, reflect critically on the past, and ultimately, reshape the societies they live in.

From left to right: Eva Aira and Inga Lajla Aira Balto in gávttit from Jåhkåmåhkke and Kárášjohka; Sven Roos in Gagnefsdräkt and Lars-Erik Backman in Leksandsdräkt; Fatima Aakhus and Randi Myrum in Setesdalsbunader. Photos by Carrie Hertz.

Joik

Joik (Norwegian) is a traditional Sámi musical expression. In joik, melodies and rhythm are identity markers and comprised of layers of meaning. Words, gestures, and facial expression can accompany a joik and is more than a representation about someone, an animal, or nature. The joik is (an expression of) that (feeling of) person, animal, or place. After death, to joik someone (in remembrance) is to have them close by. Ancestor joiks are remembered for generations.

As part of Sámi life, joiks are company when alone or when reindeer herding. Joiks are given to people as gifts. Joiks depict characteristics and great deeds, to give another self-confidence, or for courtship. A person may have several different joiks. For example, one given to a child (dovdna) can adapt to fit the child when they are older.

Joiks are a way of passing on knowledge and stories. During Christianization, from the 1700s onward, joiks were banned. In recent years, it has experienced revitalization and blending with instruments and new genres like pop, electronica, or metal.

Duodje – Sámi Craftsmanship

Duodje (Lule Sámi), duodji (Northern Sámi), Duöjjie (Ume Sámi), and Vätnoe (Southern Sámi)

Duodje, loosely, is the handicraft of the Sámi. A part of cultural traditions and knowledge, duodje is entwined with identity, cultural preservation, and with survival. Duddjon, the crafting process of the hands, provided utilitarian items made from materials created from natural resources. Regional connections can be seen in decorations, patterns, and material choices. Contact with other peoples has left their mark within duodje.

Over time, like many other Indigenous cultural craftsmanship, these materials have developed into collectable arts. Each crafted piece is infused with cultural heritage, from creation to materials and design.

Paulat woolen shoelaces
Jaw bag made of leather, Fur, reindeer bone, and wool thread.
Komsio cradle – wood, reindeer-skin, and cotton frabric.

Paulat woolen shoelaces

Jaw bag made of leather, Fur, reindeer bone, and wool thread.

Komsio cradle – wood, reindeer-skin, and cotton frabric.

On September 9, 2021, the Sámi community and the Sámi Museum Siida in Inari – the center of the Sámi – celebrated the homecoming of 2,200 Sámi cultural heritage items repatriated from the Finnish National Museum. The items were collected from 1830 to 1998. The exhibit, Mäccmõš, maccâm, máhccan – The Homecoming, highlights 140 archived materials, photos, and work by contemporary Sámi artists. Intermixed with the heritage items are contemporary items from Sámi crafters and artists. The exhibit text includes three Sámi languages spoken in Finland and stories by the Sámi. Sámi materials – photographs and yoiks – add to the story.

Homecoming Exhibition

Reindeer

Traditional reindeer herding has been practiced since the 17th century. It was not a profession, but a way of life. Reindeer were used for clothing, food, trade (as a form of money), and labor. Time is measured by the passing of the seasons. Each season is subject to the reindeer and the climate. The lavvu, a portable home, is moved and set up migration trails. (Sanna) The continuation of herding is essential to the survival of Sámi identity.

Neulakota – Needle House and Bag made of seal and reindeer-skin, fabric and horn bone
Shoes made from reindeer hide

In Norway, colonization from the south pushed Sámi north until could not move any further. Farmers settled on Sápmi land, which disturbed pasture areas and migration routes, leading to fewer reindeer grazing areas. Because land ownership was foreign to the Sámi, they did not have land rights, whereas the Norwegian farmers did. (Sanna)

Mining and industry have also greatly impacted reindeer herding. Human settlement, inroads and railroad cut through migration paths and grazing areas; reindeer are in danger of being struck by trains NS cars. The construction of the Alta dam at the Kautokeino River has also impacted reindeer herders. 

Government involvement has also affected herding lifeways. The government offered incentives to decrease the number of older reindeer herders and limited the number of new herders. The governor offered subsides for herding and cash reward for slaughter, which shifted the economics of reindeer. Herding shifted from subsistence to a market economy.

Traditionally, the Sámi used every part of the reindeer – skin, organs, meat, milk, and blood. Government interference turned meat production into profit. Duodje made from reindeer could be traded for items. Now, they were paid in cash. This led to competition between Sámi for the best pasture areas. Poaching increased. Reindeer earmarks were introduced as indicators of herd ownership.

Sámi joatkkaskuvla ja boazodoalloskuvla is a Sámi high school and reindeer herding school in Kautokeino, in northern Norway. The school’s vision is that students will learn knowledge rooted in Sámi society and culture. The school curricula is developed in Sámi language, duodji, natural use, reindeer husbandry, restaurant and food, construction and specialized subjects. Part of the school’s vision is to strengthen and develop the Sámi identity, language, and culture in Sámi youth.


References

Aida. (n.d.). What is duodji? https://arkisto.fi/aida/en/students-of-duodji/what-is-duodji

Alta controversy. (2021, October 30). In Wikipedia. https://en.wikipedia.org/wiki/Alta_controversy

Amnesty International. (n.d.). Indigenous peoples. https://www.amnesty.org/en/what-we-do/indigenous-peoples/#:~:text=Indigenous%20Peoples%20can%20be%20identified%20according%20to%20certain,social%2C%20economic%20or%20political%20systems%20More%20items…%20

Ájtte. (n.d.) Duodje-Sami craftsmanship. Ájtte – Swedish Mountain and Sami Museum » Duodje-Sami handicrafts (ajtte.com)

Beneath Northern Lights. (2019, March 26). Yoik – one of the oldest vocal traditions in Europe. https://www.beneathnorthernlights.com/joik-the-oldest-vocal-tradition-in-europe/

Colston, P. (2021, May 23). In its place: The Risku brooch. The New York Times. https://www.nytimes.com/2021/05/23/fashion/jewelry-risku-brooch-sami-scandinavia-finland.html  

Environmental Justice Atlas. (2020, January 31) Alta River hydro power plant, Norway. https://ejatlas.org/conflict/alta-river-hydro-power-plant-norway

IWGIA. (n.d.) Indigenous peoples in Sápmi. Sápmi – IWGIA – International Work Group for Indigenous Affairs

The Finnish National Museum. (n.d.) Mäccmõš, maccâm, máhccan – The Homecoming. https://www.kansallismuseo.fi/en/exhibitions/maccos-maccam-mahccan-kotiinpaluu

The National Museum of Finland. (2022, January 25). Exhibition Mäccmõš, maccâm, máhccan – The Homecoming celebrates the repatriation of National Museum of Finland’s Sámi artefacts to the Sámi homeland, Sápmi. https://news.cision.com/the-national-museum-of-finland/r/exhibition-maccmos–maccam–mahccan—the-homecoming-celebrates-the-repatriation-of-national-museum-,c3492129

Sanna (Foster, Jennifer). (n.d.). Sámi culture: Reindeer herding in Norway. University of Texas – Austin. Reindeer Herding in Norway (utexas.edu)

Samer. (n.d.). Who is a Sami? http://www.samer.se/4533

*The term Indigenous is used broadly to include those labeled Native American, American Indian, Alaska Native, Hawaiian, First Nations, Aboriginal, and others such as the Sami (Finland) and Ainu (Japan). Native American and American Indian are used interchangeably in this blog.

About the Author

Jonna C. Paden, Librarian and Archivist, is a tribally enrolled member of Acoma Pueblo. As part of the Circle of Learning cohort, she holds a Masters in Library and Information Science from San José State University where she focused on the career pathway of Archives and Records Management. She is also the archivist for the New Mexico Library Association (NMLA) and current Chair (2020-2022) for the New Mexico Library Association (NMLA) Native American Libraries – Special Interest Group (NALSIG).

Tribal Sovereignty

January 5, 2022

Welcome to a New Year! Tomorrow is Three Kings Day, a day of celebration for newly appointed or elected tribal leaders. Most Pueblos will have buffalo, deer, and eagle dances in honor of tribal officials.

Since time immemorial, each tribe has had its own tribal governance. In the Pueblos, the office of Governor was introduced by the Spaniards and is incorporated into the tribal governmental institution, along with Lt. Governor(s), fiscales, and sheriffs. Read the Jan 2021 blog about a trio of canes unique to Pueblo sovereignty and governance.

This month, the ICC blog gives an outline of tribal sovereignty, introduces the National Congress of the American Indians (NCAI), the National Indian Youth Council (NIYA), and offers reading suggestions.

Tribal Sovereignty

Sovereignty for tribes includes the right to establish their own form of government, determine membership requirements, enact legislation, and establish law enforcement and court systems. ~ National Conference of State Legislatures

Tribal sovereignty means that tribes have the right to make their own laws, rather than the state or federal government, and to be governed by those laws. Tribal sovereignty is not granted by any institution but, rather, a fundamental right. Since time immemorial, tribes had their own form of government. Tribal governments predate the United States and are the oldest government structures in the Americas.

Treaties are agreements made between sovereign nations. Treaties recognize the sovereignty of each nation and define how each nation will relate to other nations. (Uran) Colonists and leaders recognized tribal sovereignty as evidenced by treaties entered into with various tribes. The relationship between many tribes (nations) and the U.S. Federal government is based on treaties.

National Congress of American Indians (NCAI)

National Congress of the American Indians

Founded in 1944, The National Congress of the American Indians (NCAI) is the oldest, largest, and most representative American Indian and Alaska Native (AIAN) organization that serves the interest of tribal governments and communities. The NCAI was established in response to termination and assimilation policies of the U.S. government forced upon tribes and in contradiction of treaty rights and the status of tribes as sovereign nations. The founding members – 80 delegates from 50 tribes and associations in 27 states – stressed a need for unity and cooperation among tribal governments.

NCAI advocates for future AIAN generations through lawsuits, recommendations, and advocacy, all meant to ensure tribal sovereignty and self-determination. The work of the NCAI has influenced the formation and work of other intertribal organizations and lobbying activities.

National Indian Youth Council

National Indian Youth Council, Inc.

Established in 1961, the National Indian Youth Council, Inc. (NIYC) is the second oldest Native American organization in the U.S. Formed by students in the early 1960s, the NIYC was primarily an Indian civil rights organization. In the 1970s, NIYC work centered around environmental concerns affecting tribal communities.

The vison of NIYC is to empower Indigenous peoples and nation-builders to exercise self-determination while honoring Indigenous worldviews and experiences. Their mission is to foster self-determination of Indigenous people through: 1) economic sovereignty; 2) cultural flourishing; 3) political resilience; and 4) community well-being.

NIYC is a member of the United Nations impacting the rights of Indigenous peoples. NIYC participated in hearings before the U.S. Commission on Civil Rights regarding health disparities for Native Americans and the health care of urban Natives. NIYC has also testified on educational issues and barriers.

Books

The National Congress of American Indians (NCAI) is one of the most important intertribal political organizations of the twentieth century. It has played a crucial role in stimulating Native political awareness and activism, providing a forum for debates on vital issues affecting reservations and tribes, overseeing litigation efforts, and organizing lobbying activities in Washington. Prior to the emergence of other intertribal political groups in the 1960s, the NCAI was the primary political instrument for Native lobbying and resistance. It fought against government efforts to terminate the reservation system, worked to create the Indian Claims Commission, protected the rights of Alaskan Natives, and secured voting and Social Security rights for Native peoples. The NCAI continues today, as in the past, to steer a moderate political course, bringing together and representing a wide range of Native peoples.

This is the first full-length history of the NCAI. Drawing upon newly available NCAI records and oral interviews with founding members, Thomas W. Cowger tells the story of the founding and critical first two decades of this important organization. He presents the many accomplishments of and great challenges to the NCAI, examines its role in the development of Native political activism, and explores its relationships to contemporaneous events such as the Cold War, McCarthyism, and the civil rights movement.

During the 1960s, American Indian youth were swept up in a movement called Red Power—a civil rights struggle fueled by intertribal activism. While some define the movement as militant and others see it as peaceful, there is one common assumption about its history: Red Power began with the Indian takeover of Alcatraz in 1969. Or did it?

Author Bradley G. Shreve sets the record straight by tracing the origins of Red Power further back in time: to the student activism of the National Indian Youth Council (NIYC), founded in Gallup, New Mexico, in 1961. Unlike other 1960s and ’70s activist groups that challenged the fundamental beliefs of their predecessors, the students who established the NIYC were determined to uphold the cultures and ideals of their elders, building on a tradition of pan-Indian organization dating back to the early twentieth century. Their cornerstone principles of tribal sovereignty, self determination, treaty rights, and cultural preservation helped ensure their survival, for in contrast to other activist groups that came and went, the NIYC is still in operation today.

In the early 1970s, the federal government began recognizing self-determination for American Indian nations. As sovereign entities, Indian nations have been able to establish policies concerning health care, education, religious freedom, law enforcement, gaming, and taxation. Yet these gains have not gone unchallenged. Starting in the late 1980s, states have tried to regulate and profit from casino gambling on Indian lands. Treaty rights to hunt, fish, and gather remain hotly contested, and traditional religious practices have been denied protection. Tribal courts struggle with state and federal courts for jurisdiction. David E. Wilkins (Lumbee) and K. Tsianina Lomawaima (Muskogee – Creek) discuss how the political rights and sovereign status of Indian nations have variously been respected, ignored, terminated, and unilaterally modified by federal lawmakers as a result of the ambivalent political and legal status of tribes under western law.

References

National Governance Center. (2020, November 6). What is tribal sovereignty? [Video]. Youtube. https://www.youtube.com/watch?v=BOYcgvEU0V0 

Ordway, D. M. (2021, July 18) What’s tribal sovereignty and what does it mean for Native Americans? The Journalist’s Resource. https://journalistsresource.org/politics-and-government/tribal-sovereignty-native-americans/

Uran, S. C. (2018, September 13). Professor breaks down sovereignty and explains its significance. Indian Country Today. https://indiancountrytoday.com/archive/professor-breaks-down-sovereignty-and-explains-its-significance

Washington Tribes. (2020, January 2). What is tribal sovereignty? https://www.youtube.com/watch?v=L2SiuV_X_ys&t=89s

*The term Indigenous is used broadly to include those labeled Native American, American Indian, Alaska Native, Hawaiian, First Nations, Aboriginal, and others such as the Sami (Finland) and Ainu (Japan). Native American and American Indian are used interchangeably in this blog.

About the Author

Jonna C. Paden, Librarian and Archivist, is a tribally enrolled member of Acoma Pueblo. As part of the Circle of Learning cohort, she holds a Masters in Library and Information Science from San José State University where she focused on the career pathway of Archives and Records Management. She is also the archivist for the New Mexico Library Association (NMLA) and previous (2020) and current Chair for the New Mexico Library Association (NMLA) Native American Libraries – Special Interest Group (NALSIG).

A RETURN TO CULTURE – It All Starts Here

While we don’t want to dwell on it, we know very well that there is no one among us who hasn’t felt the pain of the pandemic, in big and small ways.  Many Pueblo Members and other New Mexicans have experienced illness and endured loss, and our day-to-day activities have been significantly impacted.  So even with the sun beginning to peek through the clouds as we start to think about a return to some of our favorite activities, it can feel a little intimidating.  Here at the Indian Pueblo Cultural Center (IPCC), our staff is eager to safely facilitate your return to culture, with a reminder that, “It All Starts Here.”  We chatted with a number of staff members who want to assure our visitors that thanks to careful preparation, including enhanced health and safety measures, we are ready for your return and  excited to welcome you back on April 8, 2021.

IPCC President and CEO Mike Canfield is among those on our team who is exuberant and enthusiastic about reopening.  “Although we are navigating a new path, we promise to deliver an IPCC experience that our customers will enjoy and appreciate, and one that they will determine is well worth “masking up” for. We have missed engaging personally with our valued staff members, and are equally enthusiastic about welcoming back our returning guests as well as new visitors to shop, dine and experience our amazing Pueblo culture first-hand.”

Our “new path” is both literal and figurative, with many COVID-safe practices in place to ensure a family friendly and safe environment for your return to our museum, courtyard, Indian Pueblo Kitchen and Indian Pueblo Store.  We want you to know what you can expect, and how our own incredible employees are feeling about your return, as well as their own.

 It All Starts Here:  (a return to) Culture and Education

Starting with the IPCC museum, the state of New Mexico now requires that we track attendance and maintain a reduced capacity.  With this in mind, in order to implement a new contact-free system, our admission tickets at $10 per person can be purchased online, which allows us to improve automation, institute contact tracing, and upgrade our health and safety measures.  In return, we offer timed entry periods and a comfortable and relaxed tour of our exhibits, galleries and courtyard. Our team has worked diligently to help create a culturally rich and rewarding experience for our guests.  Alicia Ortiz, Manager of Cultural Programs (Santa Ana Pueblo), heard from guests who conveyed that they can’t wait to come back for the programming, artists and great food.  “We are a community, and a family and will always take care of one another and persevere.”  Alicia tells us that what she looks forward to the most is “connecting with our guests once again.”

Our Librarian & Archivist Jonna Paden (Acoma Pueblo) has been working to keep our audience informed virtually with the new “Indigenous Connections and Collections” blog, which highlights the histories and stories of Indigenous people around the world, one of the many creative ways that IPCC staff has continued to engage our members and guests during our temporary closure.  She expresses her eagerness to serve the public again at the library (for which she will be taking appointments), to “engage, learn and connect to information.”  You can call the library at 505-724-3548 to request an appointment with Jonna.

Grant Administrator, Norma Restivo, plays a very important role in continuing to secure much-needed grant funding for IPCC. Although she has missed the personal interactions her work normally enjoys she says, “The funders have been attentive, warm and able to provide valuable feedback to our grant-seeking efforts.”  She also served a key function in the coordination of our Pueblo Relief Fund efforts, a partnership with the All Pueblo Council of Governors to provide essential items such as hand sanitizer and toiletries to each of the 19 Pueblo communities during the pandemic.  Many of the beneficiaries expressed how the contributions made a significant impact on the lives of families in Pueblo communities, and have also conveyed, as stated by Governor Brian Vallo of the Pueblo of Acoma, “Collective prayer that we will soon resume cultural practices.” It is a wish we plan to help fulfill in the coming months as part of our reopening.

There is also value in pondering those elements in our world that have remained constant despite the pandemic, such as the ongoing care and nurturing of our natural resources.  With this in mind, we also had a chance to visit with Shannon Romero, Cultural Education Specialist (Cochiti, Santo Domingo, Navajo), who oversees our resilience garden, a living exhibit and a Pueblo-centric agricultural learning space for all ages.  “As we begin to prepare the earth for the gardening season, we pray to our Creator for all that he has provided us, such as water, air, earth, living things, food, and guiding us through our life journey in this world.” Shannon also expressed her excitement to have visitors return to the garden.  ”We look forward to reopening and continuing our growing season this year. We are currently planting traditional foods and plants in the pre-contact area with the assistance of … our volunteers.”

It All Starts Here:  (a return to) Pueblo Hospitality and Cuisine

According to Dr. Beverlee McClure, Vice President for Cultural and Community Engagement, whether through virtual programming or pre-prepared Indigenous cuisine, her team has remained dedicated to providing exceptional service to their valued customers. “Throughout our temporary closure, IPCC employees have invested the same dedication to quality and genuine commitment to Pueblo hospitality in delivering services, as they did each and every day that our physical doors were open.  We are proud of their ongoing efforts which include thoughtful preparation in welcoming back our beloved customers and members.”  

Exemplifying this philosophy, Sales Coordinator, Analisa Aragon, (Taos Pueblo) tells us, “For as long as I could, I was making sure to check up on all the clients that I was working with.  With it being such an uncertain time, I felt that I needed to show compassion to the people who brought their business to us.”  She explains that working on the Pante Project, our interim program to continue to provide Indigenous food experiences once a month, pre-prepared by Executive Chef Ray Naranjo (Santa Clara Pueblo, Odawa), in which customers enjoyed from the comfort of their homes, gave her a continued sense of fulfillment.  “Everyone was so happy and satisfied with the project from execution of the curbside pickup, the video from the Chef, and the meal itself!”

Like many of our regular customers, we are looking forward to enjoying a meal from the Indian Pueblo Kitchen (IPK).  Let’s face it, the unique and delicious recipes that Chef Ray creates are impossible to duplicate.  As part of our reopening efforts, the Chef and his staff have come up with a great new menu that includes many of our traditional favorites, as well as a few new ones, all using fresh Indigenous as well as contemporary ingredients.   Channing Concho (Hopi, Acoma and Laguna), Restaurant Supervisor, says she has missed everything about IPK and our customers.  “We get to know everyone, from (those of us) within IPCC, to neighbors, to out-of-towners, like family.”  She can’t wait to greet her customers as they come around for a bite to eat, to shop, and to check out the museum, once again. Channing embraces the chance to provide the customary Pueblo hospitality, and see the “look of awe or wow” and the excited exclamations of folks who are blown away by the IPK cuisine. The Indian Pueblo Kitchen (the reimagined IPCC restaurant) will be serving up a few different dining options, including in-person dining, either in our restaurant or on our beautiful patio, as well as contact free to-go orders. 

With the reopening, Robert “RJ” Romero, General Manager of Hospitality, is eager to provide an experience that “hits on all the senses” once again, including, as he explains it, the smell of the cedar/piñon during bonfires in the courtyard, the sound of the crackling fire, and the sight of our exquisite murals. 

 It All Starts Here:  (a return to) Artistic Expression and Authentic Pueblo Made Products

Our courtyard is truly a special place, and in addition to the magnificence of our murals, we look forward to hosting the brilliant Native American artist vendors to sell their one-of-a-kind original works there once again.  As the temperatures grow warmer, it will be the perfect time for friends and family to stroll through the courtyard to take in all the sights and sounds.

As you would expect, our Indian Pueblo Store (IPS) continues to be a big draw for people looking to shop a vast array of authentic Native American art, jewelry, food products and a host of other unique Indigenous items.  Shane Smith (Navajo), of the IPS is looking forward to seeing his customers again, including both the new and the regular shoppers. “It’s just the different personalities they bring that share a liking and respect for culture and traditions……when you see a customer, especially those that make this place a second home, they become family to you.”

 It All Starts Here:  (a return to) our IPCC Family

Not unlike Shane, for many of us, IPCC and all the elements and people that represent the Cultural Center experience, are like a home away from home and a second family.  We asked all the employees we talked to share one word that summarizes the emotions they feel about reopening our doors, and came up with a word cloud which we believe collectively and perfectly captures our sentiments, and the concept that “It All Starts Here.” 

Indian Pueblo Cultural Center Reopening Blog

Pueblo Women’s Heritage Recognition Award for Service, Leadership, and the Arts

Presented to Deb Haaland (Laguna), Cabinet Secretary, United States Department of the Interior

In the year 2000, the Indian Pueblo Cultural Center along with the New Mexico Commission on the Status of Women began a program to honor and recognize extraordinary Native American Women during the National Celebration of Women’s History Month, held annually in March. Together, through the program, we have honored many great Pueblo women. Starting on Saturday March, 27, 2021 you will be able to access a special View into the Collection video presentation which will highlight four of these special women who are our past honorees.

For a variety of reasons, including the dissolution of the Commission on the Status of Women, for a number of years this program  was discontinued.  Today, the Indian Pueblo Cultural Center would like to bring back this celebration of Native American Heritage by recognizing the great accomplishments of our Pueblo Women once again. We are excited to revive the past Women’s Heritage Award as the Pueblo Women’s Heritage Recognition Award for Service, Leadership, and the Arts.

The contributions of women to our ways of life and existence are immeasurable and enduring. Since the beginning when our ancestors first entered this world, women have been a source of unwavering strength and support to their families and communities. Even today, our identify is derived from our maternal clans and that is how we introduce ourselves. As the world progresses, so do our people. Pueblo Women have continued in their strength to seek education, leadership positions, the continuation of meaningful traditions, and to represent their communities to the increasingly globalized world through arts, word, and deed.

This shawl will be gifted to Secretary Haaland in recognition of this award.

Today we are deeply honored to be presenting the Pueblo Women’s Heritage Recognition Award for Service, Leadership, and the Arts to the Honorable Deb Haaland of Laguna Pueblo, former Congresswoman and current Cabinet Secretary for the U.S. Department of the Interior. From humble beginnings, Secretary Haaland persisted and persevered to receive an education. With her juris doctor degree in law, she found a place to contribute in her own community of Laguna as well as San Felipe for several years before entering the political arena. In 2018, Deb Haaland and Sharice Davids were the first Indigenous Women to be elected to serve in the U.S. House of Representatives.

“Growing up, Native women rarely held federal leadership positions and now little girls everywhere will know that they can run for Congress and win. And that this country holds promise for everyone. In fact, it’s the unique experiences and struggles that make good leaders.” –Secretary Haaland, farewell speech, March 16, 2021

Then, in December 2020, Secretary Haaland was nominated as the first Indigenous person to be appointed to the Cabinet of the United States. She continued to break boundaries when her nomination was confirmed and she was sworn in as the Secretary of the Interior on March 16, 2021.

Embed from Getty Images

The Department of the Interior oversees American natural and cultural resources including the management of the Bureau of Indian Affairs, Bureau of Land Management, and National Park Services, to name just a few.  For the first time in history, there is an Indigenous voice at the federal level guiding policy decisions that directly affect Indigenous peoples and lands. Secretary Haaland has shown in action that she carries Pueblo Values of Love, Respect, and Service with her in  her earned leadership positions. We are excited to see where her dedication to her origins, people, and earth will lead her in this newest and most monumental accomplishment.

We are pleased to present the award to Secretary Deb Haaland, who was gracious enough to offer a few words as recorded before her confirmation.

In honor of Secretary Haaland, Ms. Ria Thundercloud (Sandia Pueblo, Ho-Chunk) offers this Eagle Dance performance.

The Eagle soars high in the sky and carries with him our prayers to the Creator. We pray for all people, the nation, and for the continued strength of women who hold us up in all times.

13 IPCC OPPORTUNITIES TO PARTICIPATE IN THE TRUE ABQ- CHALLENGE: IT ALL STARTS HERE!

We have to hand it to our friends at Visit Albuquerque.  They sure have great ideas for keeping our community engaged with all the magnificent things there are to experience in Albuquerque, even during a pandemic, when we are restless for adventures beyond the daily trip to the mailbox.  Their latest promotion, the True ABQ-Challenge, is no exception.  Not only does the challenge inspire us to get out and have a great time, but it is also an effort to encourage folks to patronize small businesses and buy local, in order to be entered for the chance to win a balloon ride for two provided by Rainbow Ryders Hot Air Balloon Co.

The challenge is active now through February 28, 2021, and includes a checklist for participants to tick off as they are encouraged to seek out great local cuisine, hotel accommodations, shopping opportunities, arts and culture, as well as outdoor activities and adventures.  You don’t have to do all of the activities to qualify to be entered into a drawing for the fabulous prize, but from our perspective at Indian Pueblo Cultural Center, we embrace the endless ways one can enjoy fun and fulfilling local outings as well as online experiences.

At IPCC, we like to recognize that “It All Starts Here.”  It is a reference to both the origins of the Pueblo people as well as the opportunity to witness and learn about the unique traditions, history and culture of the 19 Indian Pueblos in one place, right in the heart of Albuquerque. Though most of our engagement is currently virtual, the museum and gallery space, collection of murals and other Native arts and artifacts, library, archives, education department, teaching kitchen/restaurant, and cultural programming and events, each celebrate the Pueblo culture of New Mexico.  From the flavorful indigenous cuisine to the authentic native designed jewelry, to our unique online exhibits, visitors and locals alike can start their cultural journey at our doorstep — whether in its physical form or via our virtual entryway, we welcome you.  We are pleased that Visit ABQ included cultural immersion opportunities into their challenge, and it is no surprise that a visit to the IPCC will check most of the boxes.  We won’t list them all, but here are some of our personal favorites:

Local Beer Growlers at Four Winds Convenience Center

1. FOODIE ALERT: Pick up a growler of a local craft beer or a bottle of wine

In order to participate in the challenge’s Foodie Alert category, Visit ABQ invites you to pick up a growler of local craft beer. We can help! Four Winds Travel Center on the campus of IPCC offers a growler station with 8 taps representing craft beer from award-winning Albuquerque breweries like Marble, La Cumbre and Bosque Brewing! (map)


2. FOODIE ALERT: Enjoy a meal from your favorite local restaurant

Also in the foodie category, order meals from our Pante Project, available once a month for which participants can enjoy an indigenous dinner, created and pre-prepared by our Chef Ray Naranjo (Santa Clara, Odawa), in order to check the box for purchasing a meal from your favorite local restaurant. We offer contact free, curbside pickup. Find more details here.


3. FOODIE ALERT: Make a traditional New Mexican recipe at home

If takeout isn’t for you, you can meet the foodie requirements by making a traditional New Mexican recipe at home. What better way to do so than by purchasing one of our many Pueblo recipe books from the online store. Visit the Indian Pueblo Store to find some great options!


4. FOODIE ALERT: Purchase a local restaurant gift card

If you are looking for a quick and convenient way to fulfill the foodie challenge requirement, purchasing a local restaurant gift card is an option, and we have several to choose from!

Starbucks @ Avanyu Plaza | Sixty Six Acres | Laguna Burger | Dominos


Gift card to the Indian Pueblo Store

5. RETAIL THERAPY: Purchase a gift card to a local retail shop

Don’t forget about Retail Therapy, another category Visit ABQ is encouraging locals to partake in.  Purchasing a gift card to a local retail shop, one of the Visit ABQ-Challenge items, is easy to do via the Indian Pueblo Store website.  And what better way to share the gift of authentic Pueblo arts, jewelry, specialty food products and other unique items.


6. RETAIL THERAPY: Share the website or business page of your favorite
retailer to your social networks

Checking the Retail Therapy box is also as easy as sharing your favorite website or business page to your social networks.  Consider sharing ours including:

Indian Pueblo Cultural Center: https://indianpueblo.org
Indian Pueblo Store: https://indanpueblostore.com


Bath and Body Healing at the Indian Pueblo Cultural Center

7. RETAIL THERAPY: Pamper yourself with a locally made bath or beauty product

Visit ABQ (wisely) suggests we should be pampering ourselves during these extraordinary times, with the purchase of a locally made bath or beauty product. You can do just that when you purchase any number of self-care products from our online shop, including salves and ointments, as well as books and literature by Pueblo authors about herbs, remedies and healing practices, just to name a few. These items are the perfect formula for achieving wellness, calm and relaxation.


8. RETAIL THERAPY: Buy a new or used book from a local bookstore

If you buy a book on healing, you also fulfill another item on the checklist: to buy a new or used book from a local shop. If wellness isn’t your preferred topic, we offer dozens of other Native authored books to choose from representing many subjects of interest and importance to our Pueblo people and our state’s history.


Marriot and Holiday in by IPCC in Albuquerque

9. IT’S A BLAST: Treat yourself to an overnight staycation at a local hotel or B&B

Visit ABQ wants us to have a blast and they’ve dedicated a category to doing so. You can check in to one of our two wonderful onsite hotel properties, and check the box for “Treat yourself to an overnight staycation at a local hotel.

The Holiday Inn Express & Suites Albuquerque Historic Old Town
TownePlace Suites by Marriott Albuquerque


Virtual tours, programs, and exhibits at the Indian Pueblo Cultural Center

10. GET INSPIRED: Discover art, culture and history by exploring an online exhibit

Get Inspired is another category of the challenge and we have plenty of opportunities to facilitate your efforts.  For example, if you want to check the box for discovering art, culture and history via an online exhibit, we offer many on our IPCC website.  Take a tour of our museum, learn about our art collections, and explore our Pueblo history when you log onto our Virtual Programs page


11. GET INSPIRED: Purchase an item from a local artist

We think there is no better place to go to fulfill the next requirement:  Purchase an item from a local artist.  Our online shop offers original works such as authentic native jewelry, paintings, pottery and sculptures, just to name a few.


Pueblo Relief Fund

12. SHOW THE LOVE: Contribute to a local COVID-19 relief fund

We are especially pleased to offer you an opportunity to Show the Love (as Visit ABQ refers to their philanthropic category, requesting folks to make a donation to New Mexicans impacted by COVID-19), by contributing to our Pueblo Relief Fund, benefiting Pueblo people affected by the pandemic.  Pueblos and Native communities have experienced significant hardships and losses, and to help provide relief through monetary donations, please go to https://pueblorelieffund.org/


Support the Indian Pueblo Cultural Center

13. SHOW THE LOVE: Make a donation to a local charity or volunteer your time

Last but not least, Visit ABQ encourages us to give generously to a local charity.  The Indian Pueblo Cultural Center is a 501(c)(3) nonprofit organization that accepts monetary contributions.  Your donation supports educational endeavors, arts scholarships and our library and archives program, to name a few.  You can learn more here


Now that you have a greater understanding what we mean when we say “It All Starts Here,” we hope you will take advantage of the opportunity to experience the food and shopping, as well as the fun and inspired events at the IPCC.   When it comes to experiencing the myriad cultural, cuisine and retail opportunities that Albuquerque has to offer, it all starts here.

You can learn more about the True ABQ-Challenge, including a checklist of all the categories, here:  #TrueABQ Challenge | Win a free hot air balloon ride! (visitalbuquerque.org)

Repatriation and Restitution – 30 Years of Federal Protection on Native American Graves and Sacred Materials in the United States

This November 16th marks 30 years since the enactment of the Native American Graves Protection and Repatriation Act. As we continue in celebration of Native American Heritage Month, we would like to acknowledge the long line of federal policies that have lead to this defining act that safeguards our ancestral lands, people, and materials that are so important to us.  This written blog will explore this history and the continued work that all indigenous communities–including our Pueblos–participate in today. For a quick reference on the act, here is a link to the National Park Service (NPS) website:   https://www.nps.gov/history/tribes/documents/nagpra.pdf

In November, we celebrate many things: the completion of another growing season, the harvest of our fields and gardens, gratitude to our ancestors and creators for our existence, and acknowledgement of our continued existence in an ever-changing world. We hold on to our traditions that teach us values of family and gratitude while showing us a purpose in our journey on this earth. 

We recognize the cycles in all things that surround us. Seasonal cycles allow us to feed our physical bodies. Celestial cycles allow us to visualize time and align the feeding of our spiritual bodies. Our lives happen in cycles much like that of our fields.  A seed is planted and born of the earth, just as we are planted and born of our mothers. The seeds flourish from sprouts into tall stalks or long vines, just as we grow from infancy to adulthood. The stalks and vines bear fruit and share their abundance, just as we bear children and become bearers of knowledge and wisdom. Once the harvest is complete, the stalks and vines then return to the earth for a season of rest, just as we do when our journey in this world is complete.

 From the time our ancestors took their first breath of life, we have existed in these cycles for generations on this land.  Our ancestors’ bodies and memories are placed back into the earth as they enter their final season of rest—returning to our home, our center place where life began.

Over the generations, our people have faced many disruptions from different government systems laying claim to our ancestral lands and people to ever-changing technologies and pathways. As outsiders entered our ancestral lands, a curiosity arose within these newcomers. They entered our communities trying to understand or even change our ways of existence. Eventually, scholars and collectors saw our culture as something to gather and save.  Archaeologist and looters dug up the earth and explored our sacred spaces.  Over time, hundreds of our ancestors remains and sacred possessions were removed from their places of rest and taken across the world to laboratories, private collections, and museums.

This massive ancestral eviction happened in an age of western expansion and science.  Our materials and people were viewed as curiosities to be collected and saved from extinction. Yet despite many atrocities and attempts to remove us and our identities, we continue today with the strength of our ancestors behind us. 

President George Bush signing the NAGPRA act into law in 1990

As the American government grew, our people banded together to make a mark on policies, to maintain our sovereignty and identity. This opened the door for the Indian Self-Determination Era which brought us federal acknowledgements and protections of our lands, people, and material.  By the 1980’s, there were protections on our lands and ways of life, but we were now looking at a long history of exploitation in the name of research and collection. 

In 1987, the Select Committee on Indian Affairs were faced with concerns from tribal leaders about the repatriation of cultural materials. This led to more conversations among museum professionals, scholars, and tribal members. By 1989, the Herd Museum in Phoenix, Arizona established the Panel for a National Dialogue on Museum/Native American Relations to foster these cross disciplinary conversations.  Working together, this panel reported a need for federal legislation to push forward the need and importance of cultural repatriation. Many conversations later, the Native American Graves Protection and Repatriation Act, also known as NAGPRA, was introduced to Congress in 1990.

After passing in both houses, the Native American Graves Protection and Repatriation Act was signed into law by President George H.W. Bush on November 16th, 1990. This law was enacted to “provide for the protection of Native American graves and the repatriation of Native American remains and cultural patrimony.” Human remains, burial goods, and sacred materials are now protected under the laws of the United States of America and are now coming home.

Members of National Museum of Natural History support team with some artifacts being prepped for repatriation.

Since 1990, museums across the nation have opened their doors to new dialogues and understandings in order to build bridges with communities that have been historically ransacked of their own history.  While the law goes through changes and adaptations as we navigate the world of restitution, we as a people are grateful to see our ancestors and many items of cultural significance returned to their place of origins to complete their life cycle that has been interrupted for sometimes hundreds of years.

As we celebrate the 30 years since this act was signed into law, we recognize the great collaborations by many people across the nation to make this difficult task a reality; to provide honor and respect to our ancestors and to return them and more to their places of origin. We also would like to acknowledge the continued work to expand the reach of this repatriation process to our precious objects that have been spread across the globe to lands where our protections and claims are not yet recognized.

We are a strong people who still exist. We continue forward as we lay claim to our history and identities. We are working toward a future of continued restitution and self-determination.

–Rachel Moore
Curator of Exhibitions
Indian Pueblo Cultural Center