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Repatriation and Restitution – 30 Years of Federal Protection on Native American Graves and Sacred Materials in the United States
November 23, 2020

This November 16th marks 30 years since the enactment of...

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Indigenous Connections & Collections
November 10, 2020

Welcome to the inaugural blog of Indigenous Connections and...

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From Mud Pies to Masterpieces: The Chronicle of Clarence Cruz
April 18, 2019

There’s an old familiar adage stating that no matter...

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Guided by Many Grandmas: The Pottery of Myron Sarracino
February 7, 2019

Nestled along the Rio San José between golden-brown mesas...

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Elder Hands of the Corn Clan: Jemez Pueblo’s Juanita Fragua
January 10, 2019

Gratitude for every day that you are able to...

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Tradition, Clay, and the Open Road
December 7, 2018

From the wings of eagles to tires on the...

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Cartoonist Ricardo Caté was Drawn to Standing Rock
November 29, 2018

Sometimes in life we feel an irresistible pull toward...

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What Does “Anasazi” Mean, and Why Is It Controversial?
August 14, 2018

We were recently updating a page on our website...

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Fighting Fires and Chasing Dinosaurs: An Interview with Artist Levon Loncassion
July 5, 2018

Levon Loncassion is an award-winning artist from Zuni Pueblo,...

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In ‘Toon with Cartoonist Ricardo Caté
April 4, 2018

Ricardo Caté of Santo Domingo/Kewa Pueblo is known for...

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Journey of the Bird of Kewa
March 5, 2018

“I talk to each pot. When it’s almost near...

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