January 29, 2026 – Albuquerque, New Mexico – The Indian Pueblo Cultural Center

(IPCC) is proud to announce that it will be hosting Grounded in Clay: The Spirit of

Pueblo Pottery as the headline program of the Center’s 50th anniversary year. The

exhibit will be on display from March 20, 2026 through February 21, 2027.

Organized by the School for Advanced Research (SAR) and the Vilcek Foundation,

Grounded in Clay, a unique traveling exhibition featuring over 100 historic and

contemporary works in clay, offers a visionary understanding of Pueblo pots as

vessels that carry community-based knowledge and personal experience. Curated

by the Pueblo Pottery Collective, this landmark exhibition marks an important shift

in the field for Pueblo artists and culture bearers to present these clay vessels to

the public as understood through a Pueblo community lens. Grounded in Clay offers

visitors a multivocal community dialogue through first-person stories and

reflections.

The IPCC welcomes the exhibition and pottery vessels back to the Southwest after a

four-year national tour that included the Museum of Indian Arts & Culture; the

Metropolitan Museum of Art; the Vilcek Foundation; Museum of Fine Arts,

Houston; and the Saint Louis Art Museum. Grounded in Clay’s public reception at

the IPCC will be on March 21, 2026 from 5-8pm, followed by a “Meet a Grounded

in Clay Curator” gallery talk on March 22, 2026, from 1-3pm. The exhibition and its

associated events are generously supported by the First Nations Development

Institute and Noon Whistle Fund. Additionally, IPCC will be hosting a media day

with information on Grounded in Clay and our 50th anniversary exhibit and

programs. More information on this event will be available in the coming days.

“We are thrilled to present Grounded in Clay at the Indian Pueblo Cultural Center,

especially as we celebrate our 50th anniversary in 2026. This exhibition offers a

meaningful opportunity to honor the rich traditions of Pueblo pottery and the

talented artists who have inspired generations. We are deeply grateful for the

partnerships that have made this exhibition possible and look forward to seeing who

it will connect with and inspire,” said IPCC President and CEO Monique Fragua

(Pueblo of Jemez).

SAR President Morris Foster adds, “Bringing Grounded in Clay back to its origin — in

the Southwest, in New Mexico — is meaningful for all those involved in the exhibit.

The IPCC is the ideal host for an exhibition assembled by members of the Pueblo

Pottery Collective.”

Originating in the Indigenous Southwest, Grounded in Clay was curated by the

Native American communities it represents. The project gives authority and voice to

the Pueblo Pottery Collective, a group of over 60 individual members of 21 tribal

communities. Each member selected and wrote about artistically or culturally

distinctive pots from two significant Pueblo pottery collections—the Indian Arts

Research Center (IARC) of the School for Advanced Research in Santa Fe and the

Vilcek Foundation in New York.

“A merging of my professional and personal lives was a welcome shift when I was

asked to be a part of the Pueblo Pottery Collective. My experience working with the

IPCC’s museum collection for the past 24 years allows me to add another layer to

the stories shared by the potters and other Collective members. It is a great honor

to share with our audience the Grounded in Clay experience, and to welcome these

powerful vessels back to New Mexico,” said IPCC Curator of Collections Amy G.

Johnson (Pueblo of Isleta).

During the year-long run of Grounded in Clay in the IPCC’s South Gallery, IPCC will

present programming including panel discussions and art demonstrations by

members of the Pueblo Pottery Collective.

“We look forward to the community first dialogue that Grounded in Clay will bring

to our local-to-global visitors this year in the 19 Pueblos District of Albuquerque.

We are honored to be a partner in the full circle of this trailblazing exhibition and

the Indigenous communities it directly represents,” said IPCC Head Curator Dr.

Michelle Lanteri.

As Vilcek Foundation President Rick Kinsel notes, “The response to the exhibition

as it has traveled across the country has been incredible. I cannot think of a better

time to bring the pottery back to the communities of New Mexico than in

celebration of the IPCC’s 50th anniversary. The community-curated model of

Grounded in Clay has helped to shift the curatorial paradigm, and I look forward to

seeing the wave of collaborative and community-driven exhibitions it inspires.”

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About Grounded in Clay:

Grounded in Clay debuted on July 31, 2022, on unceded Tewa Indian lands at the

Museum of Indian Arts & Culture in Santa Fe before traveling nationally to The

Metropolitan Museum of Art and the Vilcek Foundation, New York in 2023; The

Museum of Fine Arts, Houston in 2024; and the Saint Louis Art Museum in 2025. The

exhibition celebrated the 100th anniversary of the creation of SAR’s Indian Arts

Research Center’s pottery collection in 1922. It also marked the institution’s

decades-long efforts to bridge the cultural needs and knowledge of Native

communities with its public education mission. For more information, please visit

groundedinclay.org.

About the Indian Pueblo Cultural Center:

Founded in 1976 by the 19 Pueblo tribes of New Mexico, the Indian Pueblo

Cultural Center is a world-class museum and cultural center located in the historic

19 Pueblos District. The mission of the IPCC Campus is to serve as a gathering place

where Pueblo culture is celebrated through creative and cultural experiences while

providing economic opportunities to Pueblo and local communities. Visitors can

learn fascinating history, shop for Native jewelry and art, watch a cultural dance,

hear Native languages and experience the flavors of traditional and contemporary

Native cuisine. To learn more, please visit: www.indianpueblo.org.

About the School for Advanced Research:

Established in 1907, the School for Advanced Research (SAR) advances creative

thought and innovative work in the social sciences, humanities and Native American

arts. SAR is home to the Indian Arts Research Center (IARC), a leader in community-

advised and collaborative Indigenous arts engagement and collections

management. Through scholar residency, seminar and artist fellowship programs,

SAR Press publications, and a range of public programs, SAR facilitates intellectual

inquiry and human understanding. SAR’s historic sixteen-acre campus sits on the

ancestral lands of the Tewa people in O’gah’poh geh Owingeh or Santa Fe, New

Mexico. SAR is a 501(c)(3) nonprofit educational institution.

About the Vilcek Foundation:

The Vilcek Foundation is a private operating foundation under IRS 501(c)(3) that

raises awareness of immigrant contributions in the United States and fosters

appreciation for the arts and sciences. The foundation was established in 2000 by

Jan and Marica Vilcek, immigrants from the former Czechoslovakia.

For more information, and to arrange for interviews and photographs, please

contact: Meredith Schweitzer, schweitzer@sarsf.org, 505.954.7251.